A comparison of Billie Jean.
The original was released in 1983 by none other than the King of Pop himself, Michael Jackson (2). The comparing cover was released in 2006 by the late Chris Cornell (3).
The first time listening to the cover version you know the words, but you aren’t used to hearing them in such a different tone and rhythm that your brain takes a minute to realize what song it actually is. It is almost stunning how something that came from one thing can be so similar but so different.
Michael Jackson – Billie Jean
In 1984, just two years after being recorded and one-year post-release, Billie Jean won four big-time Grammy and Juno awards. It was deemed “one of the highest selling singles of all time” (1). The song touched the genres of post-disco, blues, funk and dance-pop. It was originally written to describe situations where women would claim their kids were relatives of his (being the offspring of his also famous brothers), and just the struggle that came with trying to have fun, find love and be famous (2).
Chris Cornell – Billie Jean
Chris Cornell was the lead singer of Soundgarden, on of the biggest grunge bands along side Nirvana and Pearl Jam. Billie Jean sung by Chris Cornell was released in 2006, performed at an acoustic concert in Sweden, and was never officially released but has become widely available and a fan favourite (4). As most of Cornell’s songs take a more heavy metal/ rock twist he seems to tone it down quite a bit slower with this cover, making it a more alternative/ indie rock song. For the most part, this version is more along the lines of a single vocalist playing in front of a small crowd on a weeknight. It does change slightly with the electric guitar in the chorus and the guitar solo. To pull this kind of a switch off, you have to have a solid talented vocalist, something that Chris Cornell pulls off nicely. Cornell actually comes off quite raspy and smoky, slowing down and really pronounces the words making it easier to hear the story. He sounds almost dreary and sad in the first verses but picks up energy in the bridge before truly letting loose emotionally on the chorus, soon being joined by the electric guitar. The total product makes the song much more emotional than the original.
In a straight lyrically comparison these songs are identical. There was not a single out of place, however, the tempo and backbeat are nothing alike. Jackson’s keeps you peppy and grooving whereas Cornell’s tones you back to a more mellow relaxing vibe. Jackson is there to be a performer and give you a show, which is why the music video is never a dull moment with constant pictures to be looking at, including his incredibly world-renowned dance moves. He backs up the harsh lyrics with a rocking wavy pitch, giving your ears an attentive experience. I do think that the cover and the original give off totally different feels, and I would listen to both but in totally different moods. Attached to these moods, vibes, and feels are different groups of listeners. Cornell took a classic song, sung by one of the worlds’ musical pillars and innovators, and targeted a whole different group of people, in a whole different time. Popular genres of the 80’s were poppy upbeat dance tunes, whereas popular genres of the 2000’s were more alternative and rock-like, meaning that both versions targeted the majority audience. And although Cornell might not have been as successful in his presentation it is still something different and soothing to the ear.
Billy Jean is a name when mentioned is instantly recognized and associated with a certain celebrity, which is what makes this specific cover such an anomaly. The cover is something that gives takes a new take and feels on a classic song.
References (1) Connelly, CHristopher. "Rolling Stone's Thriller review". February 5, 2007. (2) Greenberg, Steve. "Michael Jackson's 'Thriller' at 30: How One Album Changed the World". November 29, 2012. (3) Shteamer, Hank. "Chris Cornell: 8 Great Acoustic Covers". May 18, 2017. (4) Thbobmaster. "On the Cover: Billie Jean by Chris Cornell". November 28, 2007.