The Centre for the Study of Co-operatives was established on the University of Saskatchewan campus in 1984. Its stated mandate is to be an “interdisciplinary centre of higher learning that provides people with conceptual and informational tools to understand co-operatives
and to develop them as solutions to economic and social needs.” The current work of the centre is perhaps best captured on their blog, Contemplating Co-ops.
To meet their mandate, the Centre quickly developed a library with a broad range of resources on co-operatives and their operation both in Saskatchewan and around the world. Recently, several of these books were transported to UASC, complimenting co-operative centric archival collections such as the Saskatchewan Wheat Pool fonds, the 25th Theatre fonds and more,
Given the province’s history with co-operatives, from the early days of the Wheat Pool, to Tommy Douglas and the CCF, to the groceries, credit unions, and art and theatre collectives that flourish in the province today, it is not surprising that a school devoted to the study of co-operatives was founded here.
The images shown provide a small sampling of the types of books included in this comprehensive collection, and should provide inspiration for the various ways in which co-operatives can be studied.
Souvenir View Albums, such as this 1900 selection of images representing the province of Quebec, were a popular item throughout the latter decades of the nineteenth and early years of the twentieth century. They were produced by stationers, booksellers, and railways to capture the imagination of those traveling to various locales, or to act as souvenirs and were often given as gifts. This particular album was produced by C. E. Holiwell, the stationer to the Governor General of Canada and the Army and Navy Stationer of Quebec. The books, which feature photographs or photo-mechanically reproduced drawings based on photographs frequently sport elaborately gilded and eye-catching covers. The post-card sized images are showcased on a long accordion folded sheet, producing an interesting wallet-like effect (though for viewing convenience, the following gallery shows images separately or page-by-page).
Source: Canadian Souvenir View Albums : http://www.gallery.ca/sva/intro_e.htm
A question we are frequently asked at our front desk is why we hold certain things within our special collections. How are our collection choices made? Is the idea to restrict access? And why oh why are some books that were published as recently as last year considered too ‘special’ to be taken out of our closed stacks?
If we were to play a game of association, and I were to say “special collections library”, what would flash into most peoples’ minds is the image of the centuries-old manuscript, bound in leather, with crumbling pages that smell faintly of vanilla. But that only paints a part of the picture. What a special collections is, and what a special collections can be runs much, much deeper–and may look far different overall.
For example, at the University of Saskatchewan Archives and Special Collections, we have four main collection areas for rare and special books, each with its own distinct collection mandate. Our Rare Books collection contains primarily those things one would expect to find in a special collections library: medieval texts scrawled out in Latin, Victorian novels, first editions. The University Authors collection is just as self-explanatory — we endeavor to collect published works by University Faculty in order to have as complete a collection of the significant research outputs of the University of Saskatchewan as we can.
Readers of this blog will also be familiar with the Neil Richards Collection for Sexual and Gender Diversity. Certainly one of our most interesting book collections (and the second largest overall), the objective of the Richards collection has been to gather LGBTQ2 materials, with a particular focus on popular culture, pulp novels, queer mysteries, and Canadian queer texts. The Richards collection has grown to be the largest of its kind in Western Canada.
All of these collections have some overlap with our largest special collection of books: The Shortt Collection of Canadiana. The mandate for this collection has been looser over the years than those applied to the other collections (the Shortt collection ambitiously attempts to absorb Canadian-themed fiction and non-fiction primarily by Canadian-based authors, with a specific focus on Western Canada and Western Canadian History) In this diverse collection users can find everything from local history books (nearly one from every town in the province) to the novels of Gail Bowen, to church cookbooks, to 18th century explorers’ accounts, to current aboriginal interest newspapers, and more. While some of the items may seem too recent, or too widely or too locally distributed to be considered ‘special,’ it is the collection as a whole that has meaning, and which provides the greatest research value.
One recent addition to the Shortt collection which may fall into the “you have WHAT in your special collections?” category is two boxes of:
Alpha Flight? Never heard of it? And isn’t Marvel comics American anyway? Surely a sub-mandate of the Shortt Collection of Canadiana cannot be to collect comic books from the 1980’s. Isn’t that an odd fit?
This is true–comic books have not been an area of focus within the Shortt collection. Typically, any incoming comic books have been earmarked for Richards. Perhaps this is because queer comic book heroes are, in this time of the graphic novel, easier to find than Canadian ones (the Canadian comic book golden age ended in 1946, according to John Bell in his book Invaders from the North: How Canada Conquered the Comic Book Universe (2006)). Whatever the reason, we have fewer Canadian-centric comic books in the Shortt collection than we might like, and are working to remedy that situation.
Saskatoon bouncer “Puck”
So what better place to begin than with Alpha Flight? This team of Canadian superheroes, headed by James Macdonald Hudson (aka Vindicator, aka the Man with the Most Canadian Names), originally appeared in the late seventies as a part of the backstory to Marvel’s most well-known Canadian, Wolverine. The fact that the Alpha Flight team had its own decade long run of books within the Marvel universe is itself significant, given Marvel’s dominant role in the comic book industry, and given the minimal role Canadian superheroes have historically played within that industry.
The Alpha Flight books provide an amusing window on how Canadians were viewed by our American neighbors at this point in time. With characters like the Montreal-born Jean-Paul and sister Jeanne Marie Beaubier (aka Northstar and Aurora), a large hairy Sasquatch named Walter Langowski, and Eugene Judd a roughly puck-shaped bouncer from our own Saskatoon, Alpha Flight makes a caricature of Canadian-ness. Even the heroes’ costumes look like Team Canada’s Winter Olympic speed-skating apparel.
Another interesting point about Alpha Flight is that it features the first instance of a superhero “[coming out] in a blunt and assured fashion, previously unseen in mainstream comics” (Schott, 2010). In 1992’s issue #106 of Alpha Flight, superhero Northstar engages in a fight with Major Mapleleaf, over the course of which as many politically-laden zingers on topics of AIDS and homosexuality are thrown as punches. At the apex of this fight, Northstar admits his own homosexuality, saying : It is interesting to consider whether this (at that time relevant, but risky) discussion about homosexuality and AIDS could only have taken place within the ranks of a Canadian superhero team. If perhaps the separation of nationality made the subjects more “safe” to an American audience.
With Canada experiencing a recent resurgence of acknowledgement on the world stage (according to the New York Times, we’re “hip” now), collecting materials on what it is to be Canadian, what it was to be Canadian, and how Canadians have been viewed over time will become more important than ever. We are a nation that is constantly feeling out its own identity, and collections like the Shortt Collection of Canadiana provide a basis for that understanding.
**Please note that the above images are posted for educational purposes. Any reproduction for other purposes must be cleared with the copyright holder (Marvel Comics).
Bell, John. Invaders from the North: How Canada Conquered the Comic Book Universe. Dundurn, 2006.
Schott, Gareth. ” From fan appropriation to industry re-appropriation: the sexual identity of comic superheroes”. Journal of Graphic Novels and Comics. v. 1 no. 1, June 2010. pp.17-29.
“With the Rise of Justin Trudeau, Canada Is Suddenly … Hip?.” The New York Times, Jan. 16, 2016
The Centre for the Study of Co-operatives was established on the University of Saskatchewan campus in 1984. Its stated mandate is to be an “interdisciplinary centre of higher learning that provides people with conceptual and informational tools to understand co-operatives
fonds and more,
